- ADOBE PREMIERE PRO CS 5.5 MULTITRACK AUDIO EDIT PRO
- ADOBE PREMIERE PRO CS 5.5 MULTITRACK AUDIO EDIT SOFTWARE
ADOBE PREMIERE PRO CS 5.5 MULTITRACK AUDIO EDIT PRO
Some have even worked with Final Cut Pro X, but find Premiere Pro to be a better fit.
ADOBE PREMIERE PRO CS 5.5 MULTITRACK AUDIO EDIT SOFTWARE
Yet many Premiere Pro users have gone through several software or system changes in their careers and are no strangers to a learning curve. The less benevolent FCPX fanboys like to think these editors are set in their ways and resistant to change. Stability questions aside, why do so many professional editors prefer Adobe Premiere Pro given the choices available? The Final Cut Pro X fans will point to Premiere’s similarities with Final Cut Pro 7, thus providing a comfort zone. Realistically, if our experiences were as bad as many others proclaim, we would certainly have shifted to some other editing software! Over the course of the past three to four years, Premiere Pro (as well as the other Creative Cloud applications) has performed solidly for us across a wide range of commercial, corporate, and entertainment projects. Nevertheless, I currently manage about a dozen Mac workstations between home and work, which are exposed to our regular pool of freelance editors. All software crashes on occasion and usually at the most inopportune time. While I routinely bounce between Final Cut Pro X, Media Composer, DaVinci Resolve, and Premiere Pro, the latter is my main axe at the day job.īefore I proceed, let me stop and acknowledge those readers who are now screaming, “But Premiere always crashes!” I certainly don’t want to belittle anyone’s bad experiences with an app however in my experience, Premiere Pro has been just as stable as the others. In any case, the market I work in and the nature of my clients dictate a fluency in Premiere Pro. Some seriously gave FCPX a go, yet could never warm up to it. But I seriously jumped into regular use at the start of the Creative Cloud era, thanks to many of my clients’ shift away from Final Cut Pro.
I’ve been involved with Adobe Premiere/Premiere Pro as a user on and off since Premiere 5.5 (yes kids – before, Pro, CS, and CC).
Over my career I’ve cut client jobs with well over a dozen different linear and nonlinear editing systems and/or brands.
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